Shao Dazhen, director of the theoretical Committee of
China Association for American artists, Professor: he also involved in the
"85 art trend".
What he shows is his grasp of the spirit of
traditional culture.
Q: do you think we can see that he has gone deep into
it now, concentrating on doing research, and showing it from his works?
Shao Dazhen: what he shows is his grasp of the spirit
of traditional culture. He is close to this thing, he can understand more
accurately, and he can master, including the mood of his pen and ink, including
the painting language, the language of calligraphy, he can grasp the spirit
more accurately. This is important. After this, it shows that he has entered
the tradition of ancient art and the realm of traditional culture, which can be
seen in his works.
His value is the charm of his work
Q: what value does he enter into the realm of
traditional culture, to today's society, or to our art circles?
Shao Dazhen: this value means that the artistic
appeal and artistic charm produced by his works will play his role and exert
his influence. It shows that this art has a mental power for young people,
middle-aged people and the elderly. Our contemporary young and middle-aged
people need to improve this field. This is the excellent cultural tradition of
our ancestors. This thing can not be lost in our generation. If more people do
this, then our traditional culture can be extended, not only to continue, but
also to continue, and to continue, and not only to continue, but also to
continue, and not only to continue, but also to continue, and not only to
continue, but also to continue, and not only to continue, but also to continue,
and not only to continue, but also to continue, and not only to continue, but
also to continue, and not only to continue, but also to continue, and It can
get and play a greater role in the new era and emerge in a new look.
Q: you have seen his works. What do you think of his
skills?
Yu Hui: I think few people can achieve such skills as
him. Most painters are eager to make a success. When there are 40 years old,
they have to go back and make up the tradition. People should have to see
economic benefits at this time. He does not do it.
I think he is free from ink to spirit, to artistic
conception, to the final works. He had no expectation that nothing could
restrict his development, that time could not limit him, money could not limit
him, and all the rest could not limit him, so I thought that after that time,
his future development of art would be connected to a few steps.
Xue Yongnian (Professor of the art history of the
Central Academy of Fine Arts)
He's back to the tradition
Q: what do you think of his paintings.
Xue Yongnian: I think his painting from now on is
returning to tradition. His paintings are traditional ink and wash paintings,
and the paintings are landscapes, mainly in the Ming and Qing Dynasties, and
also in the absorption of some song and Yuan landscape painting, so from his
previous period of 10 years of creation, he returned to the Chinese tradition.
He does not only act on the eyeball
Q: do you think his works are durable?
Xue Yongnian: I think he has something inside. He
does not only act on the eyeball. Now people like to talk about how to
stimulate the eyeball. In Chinese traditional culture, he should not only be
pleasing to the eye, but also to enjoy the appreciation of the heart, to play
the spirit of the human mind, to act on the spirit of the human, to improve the
spiritual taste of the human being, and to pay attention to the eye of the eye
as a higher requirement. For the eyeball that is bad, that is the grotesque,
the five colors are blind, but nothing can be seen, not to talk about the mind
has any induction. So his art is like this. It's more dignified and quiet. At
this point, it is not like some modern art, it only acts on the human senses, I
think it is the traditional spirit, it should be the inner.
Feng Qiyong (famous scholar)
The road of his painting is right
Feng Qiyong: his way of painting is right, so we
should work hard like this. Take the traditional way, the Academy of Fine Arts
will not let you draw like this, first of all, sketch, sketch, and of course
the Chinese painting also should be written. It is two different sketches. The
Chinese traditional landscape should not be disturbed by other things. The
unnecessary things should not be studied completely, and not to waste that
time. I pay special attention to time, when I pay special attention to the
time. For each person is limited, so I think people who are interested in
Chinese painting and interested in learning should do so.
Q: what kind of influence can he have on the society?
Feng
Qiyong: after two or three years of his work, he will naturally be recognized
by the society, and the truly educated person will accept it. I see it, and I
admire it very much. His pen and ink, including color, pen, and no
inappropriate part, is very natural, and is never intended to be made. To the
natural appearance of this state, I contact many middle-aged artists of 50
years old, he is a very good one, as he walked higher and higher, the
combination of such a group of people, can become a very strong position in the
Chinese painting, can show our strength, do learning to do real learning, do
not What is the doctoral student, the master's student, the painting and
writing do not rely on anything else, depends on the persuasion of his own
work, the painting itself will speak, to believe the truth of the art itself.